in the original language

General subject: naff (from Polari, a secret language of gay men in Britain in the middle of the 20th century)

original, e (masculine plural - aux) [ɔʀiʒinal, o]

1. adjective

   a. original

• cela n'a rien d'original there's nothing original about that

   b. ( = bizarre) odd

2. masculine noun, feminine noun

( = excentrique) eccentric

• c'est un original he's a real character

3. masculine noun

• l'original est au Louvre the original is in the Louvre

* * *

originale, mpl - aux ɔʀiʒinal, o adjectif

1) (authentique, créatif) original

2) ( bizarre) eccentric

nom masculin, féminin ( personne excentrique) eccentric, oddball (colloq)

nom masculin ( œuvre primitive) original

* * *

1. adj

1) (version, édition) original

2) (= bizarre) eccentric

2. nm/f

3. nm

1) (= document) original

2) ART original

3) (dactylographie) top copy

* * *

original, originale, mpl - aux

A adj

1 ( authentique) [document, tableau] original;

2 ( créatif) [esprit, personnalité, œuvre, idée, décor] original; c'est original comme idée that's an original idea;

3 ( bizarre) [personne, manières, vêtements] eccentric.

B nm,f ( personne excentrique) eccentric, oddball○.

C nm ( œuvre primitive) original; l'original est au Prado the original is in the Prado.

( féminin originale, pluriel masculin originaux) [ɔriʒinal, o] adjectif

1. [nouveau - architecture, idée, système] original, novel ; [ - cadeau, film, style, personne] original

2. [excentrique - personne] odd, eccentric

3. [d'origine - document, manuscrit] original

————————

, originale, originaux [ɔriʒinal, o] nom masculin, nom féminin

[excentrique] eccentric, character

————————

( pluriel originaux) nom masculin

1. [d'une œuvre] original

[d'un document] original ou master (copy)

[d'un texte] top copy, original

[d'un objet, d'un personnage] original

2. [texte à traduire] original

   1) The Book of Nature Is Written in the Language of Mathematics

   Philosophy is written in that great book, the universe, which is always open, right before our eyes. But one cannot understand this book without first learning to understand the language and to know the characters in which it is written. It is written in the language of mathematics, and the characters are triangles, circles, and other figures. Without these, one cannot understand a single word of it, and just wanders in a dark labyrinth. (Galileo, 1990, p. 232)

   2) Arranging Speech so as to Reply Appropriately

   It never happens that it [a nonhuman animal] arranges its speech in various ways in order to reply appropriately to everything that may be said in its presence, as even the lowest type of man can do. (Descartes, 1970a, p. 116)

   3) No Other Animal Has the Language Capacity of the Human

   It is a very remarkable fact that there are none so depraved and stupid, without even excepting idiots, that they cannot arrange different words together, forming of them a statement by which they make known their thoughts; while, on the other hand, there is no other animal, however perfect and fortunately circumstanced it may be, which can do the same. (Descartes, 1967, p. 116)

   4) Human Beings Do Not Live Only in the World of Objects

   Human beings do not live in the object world alone, nor alone in the world of social activity as ordinarily understood, but are very much at the mercy of the particular language which has become the medium of expression for their society. It is quite an illusion to imagine that one adjusts to reality essentially without the use of language and that language is merely an incidental means of solving specific problems of communication or reflection. The fact of the matter is that the "real world" is to a large extent unconsciously built on the language habits of the group.... We see and hear and otherwise experience very largely as we do because the language habits of our community predispose certain choices of interpretation. (Sapir, 1921, p. 75)

   5) Language Powerfully Conditions All Our Thinking

   It powerfully conditions all our thinking about social problems and processes.... No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same worlds with different labels attached. (Sapir, 1985, p. 162)

   6) A List of Language Games

   [A list of language games, not meant to be exhaustive:]

   Giving orders, and obeying them- Describing the appearance of an object, or giving its measurements- Constructing an object from a description (a drawing)Reporting an eventSpeculating about an eventForming and testing a hypothesisPresenting the results of an experiment in tables and diagramsMaking up a story; and reading itPlay actingSinging catchesGuessing riddlesMaking a joke; and telling it

   Solving a problem in practical arithmeticTranslating from one language into another

   LANGUAGE Asking, thanking, cursing, greeting, and praying-. (Wittgenstein, 1953, Pt. I, No. 23, pp. 11 e-12 e)

   7) Language Constrains Certain Modes of Interpretation

   We dissect nature along lines laid down by our native languages.... The world is presented in a kaleidoscopic flux of impressions which has to be organized by our minds-and this means largely by the linguistic systems in our minds.... No individual is free to describe nature with absolute impartiality but is constrained to certain modes of interpretation even while he thinks himself most free. (Whorf, 1956, pp. 153, 213-214)

   8) We Dissect Nature in Accordance with Our Native Languages

   We dissect nature along the lines laid down by our native languages.

   The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscopic flux of impressions which has to be organized by our minds-and this means largely by the linguistic systems in our minds.... We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar or can in some way be calibrated. (Whorf, 1956, pp. 213-214)

   9) The Forms of a Person's Thoughts Are Controlled by Unperceived Patterns of His Own Language

   The forms of a person's thoughts are controlled by inexorable laws of pattern of which he is unconscious. These patterns are the unperceived intricate systematizations of his own language-shown readily enough by a candid comparison and contrast with other languages, especially those of a different linguistic family. (Whorf, 1956, p. 252)

    10) The Analysis of Certain Types of Utterances

   It has come to be commonly held that many utterances which look like statements are either not intended at all, or only intended in part, to record or impart straightforward information about the facts.... Many traditional philosophical perplexities have arisen through a mistake-the mistake of taking as straightforward statements of fact utterances which are either (in interesting non-grammatical ways) nonsensical or else intended as something quite different. (Austin, 1962, pp. 2-3)

    11) The Dictionary of a Language Is a System of Concepts

   In general, one might define a complex of semantic components connected by logical constants as a concept. The dictionary of a language is then a system of concepts in which a phonological form and certain syntactic and morphological characteristics are assigned to each concept. This system of concepts is structured by several types of relations. It is supplemented, furthermore, by redundancy or implicational rules..., representing general properties of the whole system of concepts.... At least a relevant part of these general rules is not bound to particular languages, but represents presumably universal structures of natural languages. They are not learned, but are rather a part of the human ability to acquire an arbitrary natural language. (Bierwisch, 1970, pp. 171-172)

    12) Talk about the Evolution of the Language Capacity is Beside the Point

   In studying the evolution of mind, we cannot guess to what extent there are physically possible alternatives to, say, transformational generative grammar, for an organism meeting certain other physical conditions characteristic of humans. Conceivably, there are none-or very few-in which case talk about evolution of the language capacity is beside the point. (Chomsky, 1972, p. 98)

    13) The Development of Language

   [It is] truth value rather than syntactic well-formedness that chiefly governs explicit verbal reinforcement by parents-which renders mildly paradoxical the fact that the usual product of such a training schedule is an adult whose speech is highly grammatical but not notably truthful. (R. O. Brown, 1973, p. 330)

    14) Sentential and Conceptual Levels in Language

   he conceptual base is responsible for formally representing the concepts underlying an utterance.... A given word in a language may or may not have one or more concepts underlying it.... On the sentential level, the utterances of a given language are encoded within a syntactic structure of that language. The basic construction of the sentential level is the sentence.

   The next highest level... is the conceptual level. We call the basic construction of this level the conceptualization. A conceptualization consists of concepts and certain relations among those concepts. We can consider that both levels exist at the same point in time and that for any unit on one level, some corresponding realizate exists on the other level. This realizate may be null or extremely complex.... Conceptualizations may relate to other conceptualizations by nesting or other specified relationships. (Schank, 1973, pp. 191-192)

    15) Linguistic Realities Have Not Yet Been Captured by Theoretical Models

   The mathematics of multi-dimensional interactive spaces and lattices, the projection of "computer behavior" on to possible models of cerebral functions, the theoretical and mechanical investigation of artificial intelligence, are producing a stream of sophisticated, often suggestive ideas.

   But it is, I believe, fair to say that nothing put forward until now in either theoretic design or mechanical mimicry comes even remotely in reach of the most rudimentary linguistic realities. (Steiner, 1975, p. 284)

    16) The Final Steps to Human Language

   The step from the simple tool to the master tool, a tool to make tools (what we would now call a machine tool), seems to me indeed to parallel the final step to human language, which I call reconstitution. It expresses in a practical and social context the same understanding of hierarchy, and shows the same analysis by function as a basis for synthesis. (Bronowski, 1977, pp. 127-128)

    17) The Inadequacy of Formal Linguistic Models for Ordinary Language Usage

    t is the language donn eґ in which we conduct our lives.... We have no other. And the danger is that formal linguistic models, in their loosely argued analogy with the axiomatic structure of the mathematical sciences, may block perception.... It is quite conceivable that, in language, continuous induction from simple, elemental units to more complex, realistic forms is not justified. The extent and formal "undecidability" of context-and every linguistic particle above the level of the phoneme is context-bound-may make it impossible, except in the most abstract, meta-linguistic sense, to pass from "pro-verbs," "kernals," or "deep deep structures" to actual speech. (Steiner, 1975, pp. 111-113)

    18) When a Language Is an Abstract Machine

   A higher-level formal language is an abstract machine. (Weizenbaum, 1976, p. 113)

    19) Metaphor and Metonymy Underpin the Formation of Linguistic Signs

   Jakobson sees metaphor and metonymy as the characteristic modes of binarily opposed polarities which between them underpin the two-fold process of selection and combination by which linguistic signs are formed.... Thus messages are constructed, as Saussure said, by a combination of a "horizontal" movement, which combines words together, and a "vertical" movement, which selects the particular words from the available inventory or "inner storehouse" of the language. The combinative (or syntagmatic) process manifests itself in contiguity (one word being placed next to another) and its mode is metonymic. The selective (or associative) process manifests itself in similarity (one word or concept being "like" another) and its mode is metaphoric. The "opposition" of metaphor and metonymy therefore may be said to represent in effect the essence of the total opposition between the synchronic mode of language (its immediate, coexistent, "vertical" relationships) and its diachronic mode (its sequential, successive, lineal progressive relationships). (Hawkes, 1977, pp. 77-78)

    20) Language and the Analysis of Nature

   It is striking that the layered structure that man has given to language constantly reappears in his analyses of nature. (Bronowski, 1977, p. 121)

    21) Correspondence Rules for Mapping Old Theory into Subsets of New Theory

   First, [an ideal intertheoretic reduction] provides us with a set of rules"correspondence rules" or "bridge laws," as the standard vernacular has it-which effect a mapping of the terms of the old theory (T o) onto a subset of the expressions of the new or reducing theory (T n). These rules guide the application of those selected expressions of T n in the following way: we are free to make singular applications of their correspondencerule doppelgangers in T o....

   Second, and equally important, a successful reduction ideally has the outcome that, under the term mapping effected by the correspondence rules, the central principles of T o (those of semantic and systematic importance) are mapped onto general sentences of T n that are theorems of Tn. (P. Churchland, 1979, p. 81)

    22) The Inclusion of Non- linguistic Factors in a Theory of Grammar

   If non-linguistic factors must be included in grammar: beliefs, attitudes, etc. [this would] amount to a rejection of the initial idealization of language as an object of study. A priori such a move cannot be ruled out, but it must be empirically motivated. If it proves to be correct, I would conclude that language is a chaos that is not worth studying.... Note that the question is not whether beliefs or attitudes, and so on, play a role in linguistic behavior and linguistic judgments... [but rather] whether distinct cognitive structures can be identified, which interact in the real use of language and linguistic judgments, the grammatical system being one of these. (Chomsky, 1979, pp. 140, 152-153)

    23) Language Is Inevitably Influenced by Specific Contexts of Human Interaction

   Language cannot be studied in isolation from the investigation of "rationality." It cannot afford to neglect our everyday assumptions concerning the total behavior of a reasonable person.... An integrational linguistics must recognize that human beings inhabit a communicational space which is not neatly compartmentalized into language and nonlanguage.... It renounces in advance the possibility of setting up systems of forms and meanings which will "account for" a central core of linguistic behavior irrespective of the situation and communicational purposes involved. (Harris, 1981, p. 165)

    24) The Genetic Blueprints of Language

   By innate [linguistic knowledge], Chomsky simply means "genetically programmed." He does not literally think that children are born with language in their heads ready to be spoken. He merely claims that a "blueprint is there, which is brought into use when the child reaches a certain point in her general development. With the help of this blueprint, she analyzes the language she hears around her more readily than she would if she were totally unprepared for the strange gabbling sounds which emerge from human mouths. (Aitchison, 1987, p. 31)

    25) Languages Are Machines

   Looking at ourselves from the computer viewpoint, we cannot avoid seeing that natural language is our most important "programming language." This means that a vast portion of our knowledge and activity is, for us, best communicated and understood in our natural language.... One could say that natural language was our first great original artifact and, since, as we increasingly realize, languages are machines, so natural language, with our brains to run it, was our primal invention of the universal computer. One could say this except for the sneaking suspicion that language isn't something we invented but something we became, not something we constructed but something in which we created, and recreated, ourselves. (Leiber, 1991, p. 8)

1) (existing at the beginning; first: This part of the house is new but the rest is original.) opprinnelig

2) ((able to produce ideas which are) new, fresh or not thought of before: original ideas; He has a very original mind.) original, selvstendig, frisk

3) ((of a painting etc) by the artist etc, from which copies may be made: The original painting is in the museum, but there are hundreds of copies.) original, ekte

original

subst. \/əˈrɪdʒənl\/

1) ( noe opprinnelig eller ekte) original

• this is not the original, it is only a copy

2) ( litteratur) grunntekst, originaltekst

• transcripts from the same original

3) originalspråk

• I read Homer in the original

4) nyskaper

5) original, raring, særling, særegen person

• he is a real original

adj. \/əˈrɪdʒənl\/

1) opphavlig, opprinnelig, første, førstehånds-, ekte, original-, ur-

• original language

• original performance

• original text

2) original, ny(skapende), særpreget, kreativ, frisk

• this is original work

3) original, selvstendig

the original picture originalen

[ˈlæŋɡwɪdʒ]

algorithmic language вчт. алгоритмический язык algorithmical language вчт. алгоритмическый язык applicative language вчт. функциональный язык artifical language вчт. искусственный язык artificial language вчт. искусственный язык assembler language вчт. язык ассемблера assembly language вчт. язык ассемблера authoring language вчт. язык для автоматизации творческой работы block-structured language вчт. язык с блочной структурой boolean-based language вчт. язык булевых операторов command language вчт. командный язык compiled language вчт. транслируемый язык compiler language вчт. язык транслятора computer language вчт. машинный язык computer-dependent language вчт. машинно-зависимый язык computer-oriented language вчт. машинно-ориентированный язык computer-sensitive language вчт. машинно-зависимый язык constraint language вчт. декларативный язык context-free language вчт. контекстно-свободный язык conversational language вчт. диалоговый язык conversational language вчт. язык диалога data definition language вчт. язык определения данных data description language вчт. язык описания данных data description language вчт. язык определения данных data language вчт. язык описания данных data manipulation language вчт. язык манипулирования данными data-base language вчт. язык базы данных data-query language вчт. язык запросов declarative language вчт. декларативный язык design language вчт. язык проектирования end-user language вчт. язык конечного пользователя extensible language вчт. расширяемый язык language язык; речь; finger language язык жестов, язык глухонемых foreign language иностранный язык formal language формальный язык frame language вчт. фреймовый язык high-level language вчт. язык высокого уровня host language вчт. включающий язык human language естественный язык language разг. брань (тж. bad language); I won't have any language here прошу не выражаться inflected language флективный язык information retrieval language информационно- поисковый язык information retrieval language информационно-поисковый язык input language вчт. входной язык interactive language вчт. диалоговый язык interpreted language вчт. интерпретируемый язык kernel language вчт. базовый язык knowledge representation language вчт. язык представления знаний language разг. брань (тж. bad language); I won't have any language here прошу не выражаться language стиль; язык писателя; the language of Shakespeare язык Шекспира language язык language язык; речь; finger language язык жестов, язык глухонемых language стиль; язык писателя; the language of Shakespeare язык Шекспира language of the case язык судебного делопроизводства legal language юридический язык legal language язык права low-level language вчт. язык низкого уровня machine language вчт. машинный язык machine-dependent language вчт. машинно-зависимый язык machine-independent language вчт. машинно-независимый язык machine-oriented language вчт. машинно-ориентрированный язык macro language вчт. макроязык macroinstruction language вчт. язык макрокоманд memory management language вчт. язык управления памятью meta language вчт. метаязык minority language язык национального меньшинства mnemonic language вчт. символический язык national language государственный язык native language вчт. собственный язык машины natural language вчт. естественный язык nonprocedural language вчт. непроцедурный язык object language вчт. объектный язык official language официальный язык original language исходный язык parallel language вчт. язык параллельного программирования predicate language вчт. язык предикатов problem statement language вчт. язык постановки задачи problem-oriented language вчт. проблемно-ориентированный язык procedural language вчт. процедурный язык procedural language процедурный язык procedure-oriented language вчт. процедурно ориентированный язык production language вчт. продукционный язык program language вчт. язык программирования programming language вчт. язык программирования query language вчт. язык запросов register transfer language вчт. язык межрегистровых пересылок regular language вчт. регулярный язык relational language вчт. реляционный язык representation language вчт. язык представлений restricted language вчт. упрощенная версия языка rule language вчт. язык правил rule-based language вчт. язык продукционных правил rule-oriented language вчт. язык логического программирования script language вчт. язык сценариев serial language вчт. язык последовательного программирования source language вчт. исходный язык source language cmp. исходный язык specification language вчт. язык спецификаций subset language вчт. подмножество языка symbolic language вчт. символический язык symbolic language comp. символический язык system language вчт. системный язык tabular language вчт. табличный язык target language вчт. выходной язык target language выходной язык target language объектный язык threaded language вчт. язык транслируемый в шитый код typed language вчт. широко используемый язык typeless language вчт. безтиповый язык unchecked language вчт. язык без контроля типов untyped language вчт. язык без контроля типов update language вчт. язык корректирующих запросов user language вчт. язык пользователя world language международный язык

in the original language

in the original language

1 version, translation, variation.

2 turning.

* * *

► nombre femenino

1 (gen) version, account

2 (traducción) translation

3 (adaptación) adaptation

\

en versión original in the original language

en versión española dubbed into Spanish

* * *

* * *

SF (gen) version; (=traducción) translation; (=adaptación) adaptation

* * *

a) (de obra, suceso) version

b) ( traducción) translation

c) ( modelo) model

- versión original

* * *

= release, reinterpretation [re-interpretation], version.

Nota: Forma de un documento que se ha modificado pero sin cambiar la identidad del mismo.

Ex. New releases of existing products should often be considered to be unproven.

Ex. But influence of the gauche Aldine greek of the 1490s, and then of the superb reinterpretations of Garamont (1540s) and Granjon (1560s), was irresistible.

Ex. Version is used to refer to a form of a document which has been modified without changing the identity of the document.

----

* compatible con versiones anteriores = backward compatible.

* derivado de la versión impresaimpresa = print-derived.

* explicar + Posesivo + versión del incidente = explain + Posesivo + side of the incident.

* explicar + Posesivo + versión de los hechos = explain + Posesivo + side of the story.

* nueva versión = upgrade, remake.

* obtenido de la versión impresa = print-derived.

* versión abreviada = abbreviated version, abridged version, shortened version.

* versión alfa = alpha version.

* versión ampliada = extended version.

* versión aumentada = enlarged version.

* versión beta = beta version.

* versión concisa = concise version.

* versión de prueba = test drive, trial version.

* versión grabada = recorded version.

* versión modificada = modified version.

* versión oficial, la = official story, the.

* versión reducida = scaled-down version.

* versión revisada = revised version.

* versión simplificada = simplified version.

* * *

a) (de obra, suceso) version

b) ( traducción) translation

c) ( modelo) model

- versión original

* * *

= release, reinterpretation [re-interpretation], version.

Nota: Forma de un documento que se ha modificado pero sin cambiar la identidad del mismo.

* * *

1 (de una obra) version

la misma canción en versión de otro cantante the same song done by someone else, a version of the song by someone else

versión cinematográfica movie version

versión corregida y aumentada revised and expanded version

(de un suceso): según la versión oficial de los hechos according to the official version of events

quisiera oír tu versión de lo que pasó I'd like to hear your side of the story o your version of events

3 (traducción) translation

4 (modelo) model

alpha/beta version

la vi en versión original I saw it in (the original) French ( o Russian etc)

* * *

a) (de obra, suceso) version;

◊ versión original movie in its original language

b) ( traducción) translation

c) ( modelo) model

* * *

versión nf

1. [de hecho, obra] version;

¿cuál es su versión de lo ocurrido? what is his version of what happened?

2. [traducción] translation, version

en ese cine ponen películas en versión original subtituladas at that cinema they show movies (in their original language) with subtitles

* * *

f version;

en versión original película original language version

* * *

versión nf, pl versiones

1) : version

2) : translation

* * *

versión n version

m noun adj original

* * *

originale agg.

1 original: il disegno originale di quel monumento, the original design for that monument; idioma originale, original language; testo, traduzione originale, original text, translation // documento originale, original document; (dir.) script // edizione originale di un film, original version of a film // (mus.) partitura originale, original score // (teol.) peccato originale, original sin

2 ( non contraffatto) genuine, pure, real; ( non copiato) original: lana originale scozzese, genuine (o pure) Scotch wool

3 ( nuovo) new, original; ( ingegnoso) ingenious: idee, pensieri originali, new (o original) ideas, thoughts; mente originale, original (o inventive) mind; impronta originale, original touch; è un modo molto originale per farsi conoscere, it is a very original (o ingenious) way of making oneself known

4 ( strano) odd, queer, strange; ( eccentrico) eccentric: modi originali, odd manners; un tipo originale, a character

◆ s.m.

1 original: la copia è grande quanto l'originale, the copy is the same size as the original; è più bello l'originale che il ritratto, the original is better than the portrait; non ho mai letto Chaucer nell'originale, I have never read Chaucer in the original; copiare dall'originale, to copy from the original; riscontrare, collazionare con l'originale, to compare with the original // copia conforme all'originale, faithful copy // originale televisivo, film made for Tv

2 ( persona strana) eccentric, odd person; (fam.) character: è un originale, he is an eccentric.

* * *

1. agg

(gen) original, (nuovo) new, original, (bizzarro) eccentric, odd

2. sm

(opera, documento) original

- originale radiofonico

- originale televisivo

3. sm/f

* * *

1) (originario) [versione, testo] original; (autentico) [documento, manoscritto, quadro] original, authentic, genuine

2) (creativo) [personalità, opera, idea] original

3) (bizzarro) [persona, maniere, vestito] original, fanciful, odd, unusual

sostantivo maschile (opera autentica) original; tecn. master (copy)

sostantivo maschile e sostantivo femminile (persona bizzarra) original, character, curiosity

* * *

originale

/oridʒi'nale/

I aggettivo

 1 (originario) [versione, testo] original; (autentico) [documento, manoscritto, quadro] original, authentic, genuine; in lingua originale in the original language

 2 (creativo) [personalità, opera, idea] original

 3 (bizzarro) [persona, maniere, vestito] original, fanciful, odd, unusual

II sostantivo maschile

  (opera autentica) original; tecn. master (copy)

III m. e f.

  (persona bizzarra) original, character, curiosity.

version [vεʀsjɔ̃]

   a. ( = traduction) translation (into the mother tongue)

   b. ( = variante) [de texte, œuvre] version

• film en version originale film in the original version

• donner sa version des faits to give one's version of the facts

   c. ( = modèle) model

• version 4 portes ( = voiture) 4-door model

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1) ( traduction) translation ( into one's own language)

2) ( interprétation) version

3) Cinéma, Littérature, Musique version

4) Industrie, Commerce ( modèle) model, version

•

- version doublée

- version originale

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1) (= interprétation) version

2) (= traduction) translation (into the mother tongue)

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version nf

1 ( traduction) translation (into one's own language); une version latine a latin translation; une épreuve de version a translation test;

2 ( interprétation) version; j'ai entendu une toute autre version de l'incident I heard a completely different version of the incident; la version officielle the official version;

3 Cin, Littérat, Mus version; une nouvelle version du quatuor a new version of the quartet; la version de 1948 the 1948 version; en version espagnole in the Spanish version; la version américaine d'un film français the American version of a French film; version intégrale/abrégée complete/abridged version;

4 Ind, Comm ( modèle) model, version; la version GTI de cette voiture the GTI model of this car.

version doublée Cin dubbed version; version longue Cin full-length version; version originale, vo Cin original version; en version originale (sous-titrée) in the original language (with subtitles).

[vɛrsjɔ̃] nom féminin

1. ÉDUCATION & UNIVERSITÉ translation (from a foreign language into one's mother tongue)

version anglaise [pour un Français] translation from English into French

2. [variante - d'une œuvre] version ; [ - d'une automobile] model, version ; [ - d'un logiciel] version

3. [interprétation] version

4. MÉDECINE version, turning

f

1. (Originalsprache) original language; in der Ursprache in the original (language)

2. (Grundsprache) protolanguage

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1) proto-language

2) (bei Übersetzungen) original (language), source language

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Ursprache f

1. (Originalsprache) original language;

in der Ursprache in the original (language)

2. (Grundsprache) protolanguage

version n versión

a) (de obra, suceso) version;

◊ versión original movie in its original language

b) ( traducción) translation

c) ( modelo) model

tr['vɜːʒən]

noun

1 versión nombre femenino

2 SMALLMUSIC/SMALL interpretación nombre femenino

3 SMALLAUTOMOBILES/SMALL modelo

■ the sports version el modelo deportivo

\

stage version SMALLTHEATRE/SMALL adaptación nombre femenino teatral

version ['vərʒən] n

: versión f

• versión s.f.

a) ( variant form) versión f

b) ( account) versión f

c) ( model) versión f, modelo m

['vɜːʃǝn]

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a) ( variant form) versión f

b) ( account) versión f

c) ( model) versión f, modelo m

(n.) = rainbow edition

Ex. This contains the text of interventions in the original language and is known universally as the `rainbow' edition because of the practice within the Community of allocating a different colour for each language.

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VO [veo]

( = version originale) en VO sous-titrée with subtitles

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nom féminin: abbr version

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CINÉMA version originale

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vo nf: abbr ⇒ version.

(abréviation de version originale) nom féminin

en VO locution adjectivale

en VO sous-titrée in the original version with subtitles

m original title, title in the original language

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Originaltitel m original title, title in the original language

f back-translation

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f LING

1. kein pl (das Rückübersetzen) translation back into the original language, back-translation no art, no pl spec

2. (rückübersetzte Fassung) back-translation spec

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Rückübersetzung f back-translation

1) (gen) version

2) (traduzione) translation